Jazz At The Philharmonic. Newly available as a CD or download purchase, vintage jazz meets the modern age and isn't found wanting. Producer and drummer Richard Pite talks us through the music:
All bar one
track on the CD was recorded on a Sunday afternoon in September 2014 at London's
Cadogan Hall. My Jazz Repertory Company has presented a dozen or so shows at
this venue and I like it because of its intimacy (900 seats) and its fairly
lively acoustic is perfect for our largely acoustic performances.
Jazz At The Philharmonic 70th Anniversary Tribute Concert
at Cadogan Hall, London. Part I
We try to celebrate anniversaries at the Jazz Repertory Company (in the
misguided belief that this will interest the media in running an article about
what we do) and 2014 marked the 70th
anniversary of Norman Granz's Jazz at the Philharmonic. The reason it’s so called was that he used
The Philharmonic Hall in Los Angeles for the first concert in 1944 - on a Sunday
afternoon when the symphony players and staff, who would have recoiled in
horror at the noise emanating from the hallowed venue, were a safe distance
away.
70th Anniversary JATP Concert At Cadogan Hall, London
The first
concert was an instant hit and for the next forty years JATP toured the world
bringing some of the greatest names in jazz to audiences whose delight and
excitement are palpable in the many recordings of the live concerts that
Granz's record labels Verve and Pablo released during and after the glory
years. Granz managed the careers of Oscar Peterson and Ella Fitzgerald who were
regulars on the JATP shows alongside greats such as Stan Getz, Lester Young,
Charlie Parker, Illinois Jacquet, Flip Phillips, Roy Eldridge, Dizzy Gillespie,
Ray Brown, Billie Holiday, Gene Krupa, Buddy Rich, Les Paul, Nat Cole, ClarkTerry, Ben Webster, Fats Navarro and many more.
Jazz At The Philharmonic 70th Anniversary Tribute Concert
at Cadogan Hall, London. Part II
The concerts
mixed the stars of the swing era with the modernists and Granz was keen to get
his musicians to play to the gallery and produce the kind of excitement that
could be had when a couple of heavyweights would take each other on - louder,
faster and higher! I remember hearing,
as a kid, the recording of Gene Krupa's drum battle with Buddy Rich (recorded
in 1952 at Carnegie Hall) and thinking that the crowd was reacting as if they
were watching Rocky Marciano slugging it out with Jersey Joe Walcott. As Les Paul wrote about being on stage at
the very first concert "I looked into the audience and I saw them standing
on their seats. I said wow!... when it reached a climax I saw hats up in the
air - they were screaming and shouting." In these days of more esoteric,
cerebral modern jazz a response like that would be unthinkable!
Gene Krupa and Buddy Rich - Drum Battle
At Cadogan
Hall the audience definitely were with Les Paul as you can hear. However don't fret about the lack of
audience response on Sweet Georgia Brown - that's the one studio track on the
album , recorded at Angel Studios in Islington, North London on the evening of
October 20th. This was added to
give us the chance to feature some players who weren't present at our
concert - James Pearson on piano, Tony Barnard on guitar, Alex Garnett and
Sammy Mayne on saxophones and the bravura trumpet playing of Ryan Quigley
battling in the last choruses with George Hogg. Perhaps they should be introduced as
"In the left corner, the Glasgow bruiser Rucking Ryan - in the right
corner Pretty Boy Hogg - the Boy Wonder".
Georgina Jackson - He's Funny That Way
70th Anniversary JATP Concert At Cadogan Hall, London
There were
many great moments at the concert - I was able to watch from the front stalls
whilst Elliott Henshaw pounded his Slingerlands and I loved the three tenors
wailing on Rifftide – Tom Walsh's solo on I Can't Get Started was superb and
let's not forget our two ladies amongst that sea of testosterone. - Georgina Jackson and Nicola Emmanuelle paying respective tributes to Billie Holiday and
Ella Fitzgerald.
70th Anniversary JATP Concert At Cadogan Hall, London
Pete Long and
I now wish to use the JATP formula to try and entice a younger audience to come
and experience the excitement that jazz can offer. Watch out for us in the
coming years and we hope the age of our audience will be as diverse as that of
the talent on stage.
The Jazz Repertory Company Showreel
JATP Drum Battle At London's Cadogan Hall
Richard Pite, The Jazz Repertory Company
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